Imperishable cities
Italo Calvino writes of
Invisible Cities,
composed of
citizens,
who
settled in places,
who were so similar
that Calvino could name
their city, describe
their unique quarter,
their hopes,
their aspirations,
their beliefs, and
their desires.
As the pages flash before me,
I take flight out of my mind,
where verbs blur into nouns,
spaces become fog,
paper transforms translucent,
disappears at horizons, and
rises over the expanding seas.
A rush pushes me far
deeper into the confines of my seat,
then lifts us into the clouds.
In that rarified air, Calvino’s spell
transports me to a city
of nubile girls who marry,
of parents who exchange goods —
bergamot, sturgeon roe,
astrolabes, amethysts —
which reveal everything you wish
about this city in the past, present, and future.
The book retreats
as I touch down.
I arrived here in my first youth,
passed a Phoenix, who flew beyond
children, parents, grandparents,
through ash-filled clouds of memory.
It’s all there,
and all nowhere,
curated in libraries who forgot
their names and lives.
I open the archives,
re-visit the past,
where we preserve respect
for our ancestors.
A prison once held us
in the desert.
The barracks are gone, but
scars spilled into blood.
We ran from prison and settled
in cities with foreign names,
cities that reveal everything in
the past, present, and future.
Places closed
become open.
Screaming children mature
into great-great-grandparents.
This city overrun with
diverse organic desires,
broad ripples of reflections,
stirred by claws on our toes.
When the water becomes still,
the present intertwines with the past
till you rise with a phoenix and
we embrace.
Written during United Airlines flight from Los Angeles, California, to Phoenix, Arizona, November 29, 2021, with a stopover in the City of Dorothea which appears in Italo Calvino’s experimental novel Imaginary Cities.
"A prison," from 1942 to 1945, Gila River Relocation Center, Arizona. Canal Camp, Okamura Family 40313, Block 4-7-D.
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